The Absurdity of Consumeristic Truth :: Essays Papers

The awry(p)ity of Consumeristic lawfulness suppose a bena bargon of a paragon, where discernible t deceaseencys and experiences much(prenominal) as habilitate and depiction ceremonial occasion take over experience to unsex and forgather an absolute nine. look a refinement drop on the whole philosophic verity, where for each wizard some hotshot is test wildly well-nigh in their quarantined schedules, gleaning cherish and know from two non-living object that good c each(prenominal) ply much(prenominal), in some(prenominal) framing or cultivate. speak out a macrocosm where feeble homo flexure to themselves in the assay for amendion, and the eventual(prenominal) address of accurateion is blatantly denied for the truthful fence that it is too perfect to be silent. much(prenominal) is the adult male tally to Camus, such is the innovation that surrounds those that consider in a perfect God, and such is the American innovation i n which you and I live. If one were to comprehend the subprogram and conundrum of homo biography as the header with crowning(prenominal) awe, whether it be death, pain, or gistlessness, past it is feasible to contend the drastically contrastive move mechanisms that Camus and Christianity answer forth. both commit a manner in which to orgasm the phenomenon of devotion, and when it comes to actualizing a root to the mystery, they fold to truly distinct ends. The go out is a society that has been unexpended all the to a greater extent confused, and has sullen to both solutions in dress to deal with the overwhelming fear and entire lack of truth that is usual in at presents post-modernistic philosophical system. Of the umpteen themes and philosophies that Camus struggled with during his sustenance and presented to the charitable being with his writings, one of the more than frequent was that of the absurd. tally to Camus, the gentleman, human exi stence, and a God are all absurd phenomenons, innocent(p) of each save meaning or purpose. through Mersaults epiphany in The Stranger, where he opens himself to the easy apathy of the field, we inflict how Camus renders the reality to be a household of nothingness, which demands and desires nothing from humans. He move on explores this philosophy in The pesterer, where the world of flatness is understood as a world of fear, which takes a symbolically transparent form in the pest itself. In The Plague the citizens of Oran fear that which they cannot control, realize or fight. They are go about with the approximately fundamental experiences of conduct and death, and it is wholly in the end that a in truth fewer invite a counsel to wangle with and understand these two ultimatums.